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Out of Your Mind, Song 14. Alan Watts on wu-wei and flow, scored as a hovering Satie waltz where a celeste plays each note a beat before the hand arrives, so the piano is already playing and the player is only following.
STOP LOOKING is Song 13 in Out of Your Mind, and the chase film. Stop hunting the one who is looking, because the thing you are searching for is the one doing the searching. The eye cannot catch the eye behind the scan. Watts told it as a comedy: a thief climbs floor to floor with the police behind, up to the roof, nowhere left to go. The film chases hard over a Bach-toccata EDM, then drops into a dead-still heartbeat, and the thing the bunny was hunting turns out to have been here the whole time. CC BY 4.0.
THIS IS IT is Song 12 in Out of Your Mind, and the radiant film. It is the warm twin of One Hand. Where that one was a black void and silence, this one fills with light. The it you have been looking for is the one that is looking. You are it, already, you just disguised it so well you forgot. So the film does not climb to its point, it settles into it: a pre dawn field, a bunny walking toward you, and then the light blooms and two more selves are simply there. A Hildegard chant score that was always already home. CC BY 4.0.
Six short films on what happens to data the moment it stops fitting on one machine: the forced choice, the dial, taste, the cache, the branch library, the shard. The first wing of Learning Maps, the durable principle under each rented AWS label.
OG Bobby Johnson's vocal chops over a wide, driving void mix, with Der Gouverneur and Anubis trading rhymes in the dark and a Plan 9 cameo to wave you off. Abstract cosmic eye candy that evolves the whole way through.
OG Bobby Johnson built a whole trap cut on one word. A beat-locked "EL...EPHANT" hook, an elephant-trumpet that blasts on every drop, and Anubis riding the elephant across a moonlit desert.
The russet potato versus the bunny from outer space. One stage, three rounds, a fighting-game HUD, and a Doberman death god in the husk. It ends where it always was: two homies playing.
ONE HAND is Song 11 in Out of Your Mind, and the silence film. It is the one about the koan. Watts said the koan is not a riddle to solve, it is a device to break the machine in you that needs an answer. Hear the sound of one hand, now explain it, and the explaining stops. So this film is the opposite of every other one in the series. A black void, a pool of light, a meditating bunny, an enso drawing itself, and a sparse Honkyoku Zen score. The empty space turns out to be full of stars. CC BY 4.0.
THE RESERVATION is Song 10 in Out of Your Mind, the Napkin Films series built from the Alan Watts lectures. It is the one about the inner reservation, the quiet knowing that it is only a game, the thing that lets you bet everything and still laugh when you lose. So the song is a card table. A Plan 9 bunny pushes its chips, shoves all in, loses the pile, dusts its paws, and walks off grinning while the chips scatter up into the stars. Ragtime that lifts into EDM, in F major. CC BY 4.0.
Just Enough Agreement is Episode 3 of Learning Maps, a Napkin Films series that turns system design into story. Strong consistency is the expensive default, a cathedral when a sticky note would do. The skill is buying the cheapest guarantee the story actually needs: read your writes, monotonic reads, session consistency. Hand drawn on a napkin, narrated by two cloned voices, scored with a 14 Hz focus layer. CC BY 4.0.
MAYA is Song 09 in Out of Your Mind, the Napkin Films series built from the Alan Watts lectures. It is the one about the convincing illusion of separation: lift one mirror, another one lights, and each reveal hides one more until the audience is you. So this one is a literal hall of mirrors, and the Plan 9 bunny dances inside it on a real skeleton rig over a proper EDM score with an anthem hook. CC BY 4.0.
The Dial is Episode 2 of Learning Maps, a Napkin Films series that turns system design into story. Consistency is not on or off. It is a dial you set by counting: with N copies, when your reads plus your writes are greater than N, a read is forced to overlap a write and see the latest truth. Hand drawn on a napkin, narrated by two cloned voices, scored with a 14 Hz focus layer. CC BY 4.0.
The Forced Choice is Episode 1 of Learning Maps, a new Napkin Films series that turns system design into story. A storm takes down the phone line between two librarians, and what happens next is the deepest fact in distributed systems: the CAP theorem, its honest twin PACELC, and the trade every database has already made. Hand drawn on a napkin, narrated by two cloned voices, scored with a 14 Hz focus layer. CC BY 4.0.
A six-part series on how music is actually built, from a single waveform up to how a machine writes a song. Narrated by Der Gouverneur, every frame drawn by the real audio. Season One is complete.
Bach's Toccata and Fugue in D minor, grown into EDM and turned into a dance floor. Plan 9 breaks to it on a bone skeleton while OG Bobby Johnson works the corner piano. One organ, one rave, two performers.
SAME NERVE is Song 08 in Out of Your Mind, the Napkin Films series built from the Alan Watts lectures. It is the one about pain and pleasure: the same nerve fires for both, and the suffering is the resistance, not the sensation. So the song is a literal mirror, the same melody and the same words harmonised first in C minor and then in C major, while a Plan 9 bunny walks the nerve like a wire and learns to ride the pulse it used to brace against. CC BY 4.0.
Napkin Films, Vol. 2 is out on Bandcamp: five instrumental scores synthesized entirely in ChipForge from numpy arrays, plus a full remaster of Vol. 1 through the same engine. No samples. No recordings.
A Plan-9-flavored study of Halsey's "Gasoline." OG Bobby Johnson spits, the cyborg bunny Plan 9 answers in tune, and a deep Alpine philosopher says the quiet part out loud: the bug is the feature.
The opposing view of coherent complexity. A cold blue machine of rings and gears and towers cracks, collapses, and reveals a warm breathing core of life that blooms to fill the frame. F minor trap, a Bavarian philosopher voice, and a Sanskrit chant of darkness into light.
Making Complexity Legible is Case I of The Cartographer of Complexity, a new Napkin Films series about Making Complexity Visible. The idea: you cannot make a complex system simple without deleting what made it work, so you do not shrink the sea, you learn to read it. A tidal-EDM spit-rap, Plan 9 and OG Bobby trading bars over recomposed Telemann, with a cartographer bunny who roams a sea that brightens as it becomes legible. CC BY 4.0.