Projects

Explore all posts in the Projects category.

19 posts

CANTUS RAVE: an 800-year-old canon walks into a rave
• 10 min

CANTUS RAVE: an 800-year-old canon walks into a rave

A 3:48 napkin films demoscene cracktro. Pärt's mensuration canon as the rhythmic skeleton, Beethoven's Für Elise as the lead, recast at 140 BPM as festival DnB. Eight sections, sample-accurate sync between every kick / snare / bell / lead / chromatic / brass-fanfare event in the score and the visuals on screen. Plasma, copper bars, vector tunnel, kaleidoscope, mode-7 grid floor, mandala explosion. Key change up a perfect fourth at the climax with a 360° camera rotation. Plan 9 bunny crew dances through. Eight production passes.

CARRIER WAVE: I left the door unlocked
• 15 min

CARRIER WAVE: I left the door unlocked

A 2:30 napkinfilms cosmic anthem in two voices. A writer leaves the door of his mind unlocked. Something walks in, drives the body for a while, and the writer discovers he can see through its eyes. They negotiate a real exchange. The visitor leaves and the writer keeps the wings. Ten acts at BPM 120. Ten-channel chipforge composition with deliberate stereo placement, simulated sidechain pump, Skrillex-style wobble, stacked seven-event drops, and three sound-waterfall cascades. Mid-film entry line delivered as a Daniel-voiced autotune-rap chopped to E-minor pentatonic. Plan 9 bunny + Russian sign-off in the post-music silence. Seventeen production passes.

THROUGH ME: the hole becomes a window
• 16 min

THROUGH ME: the hole becomes a window

A 2:51 napkinfilms EDM rap meditation in G minor. A Plan 9 bunny stands center-frame and raps fifty-one bars about being passed through, about wanting to be a machine, about the hole that finally stops feeling like an absence and starts feeling like a window. Fourteen-layer chipforge composition modeled after NGHTMRE-style festival EDM, with a soft brain-wash auto-pan sweeping L-to-R like waves of water gushing between hemispheres. Voice autotuned via rubberband to G-minor pentatonic. The V3 lift climbs E-flat to F to G minor to B-flat major 7 with a 32-step scalar ascent on top. Beat-synced visuals fired off precomputed kick and snare frame sets. Mozart K.550 leitmotif. Stranger Things crickets bookend. Fourteen production passes.

THE GREAT PRETENDING: every mask is real, while you wear it
• 15 min

THE GREAT PRETENDING: every mask is real, while you wear it

A 2:10 napkinfilms cosmic meditation on Alan Watts' "Act as If Nothing Matters" lecture. Eight chipforge audio layers in D minor, through-composed sonata form with a 4-note leitmotif developed via inversion, retrograde, augmentation, and triumphant recap. EDM drop layer lands the song at 1:02. Plan 9 bunny dances throughout, choreographed pose sequence with smooth cubic-eased transitions. Headphone-optimized mix using Haas pseudo-stereo, Fletcher-Munson equal-loudness EQ, Schroeder prime pre-delays, and master M/S widening. Sixteen production passes. Bookended with Stranger Things crickets and a Napkin Films production card.

THE SATURDAY MACHINE: takes a lot, so choose your why
• 14 min

THE SATURDAY MACHINE: takes a lot, so choose your why

A 3:56 napkinfilms parody-of-self music video. Italo-disco in D minor, built on top of a chipforge track and loaded up with four autotuned voices, forty German adlibs, a mordant British existentialist chorus ("takes a lot, work work work then you die, so choose your why"), a James Brown tribute shout, a Bach-arpeggio sax solo at 0:52, a disco-lit vending machine with 16-segment beat-synced LEDs, and a Plan 9 bunny who rises from the dispenser slot to wave goodbye while Rocko says "Servus" in the blackout. 132 voice beats. Nine production passes. EBU R128 loudness-normalized. Wears headphones beautifully.

THE GRIEF WORK: letting the tide carry it
• 10 min

THE GRIEF WORK: letting the tide carry it

A 2:47 napkinfilms meditation on letting go. Plan 9 the bunny curls at the bottom of the ocean clutching a small warm orb. Through six tidal depths they release it, the orb drifts away, sinks below them, and the bunny rises into light. Two-layer score: a Richter-idiom ambient bed in C minor resolving to E♭ major, with a Bach-arpeggio EDM counter-layer underneath that peaks at the breach. No dialog. No title cards. The emotion is carried entirely by palette, pose, and one warm object released.

TRANSMISSION: the signal is the self
• 11 min

TRANSMISSION: the signal is the self

A 3:01 napkinfilms meditation on the moment you realize you were broadcasting to yourself the whole time. Plan 9 the time-travelling bunny writes long letters to someone they miss, cranks the power, gets lost in noise, then strips the draft to three words. The reply comes back from an unexpected direction. Fourteen-channel ChipForge orchestral score. A three-voice rap chorus layered underneath. A philosophers' chorus of Alan Watts, Ram Dass, Krishnamurti, and Vonnegut quoting in the margins. Ten animated easter-egg glyphs. A NASA space-station ambient bed. A Hitchcock signoff.

ENCODED: living in the prompt
• 10 min

ENCODED: living in the prompt

A 2:38 napkinfilms meditation on consciousness as signal. We replicate databases across three continents; the soul runs on one node. A Peter-and-the-Wolf oboe carries the through-line across six movements. Act 3 is a literal paper napkin with the architecture drawn stroke by stroke. Act 4 is a single tear. Act 6 is a keyboard typing "i live in the prompt now." Plan 9 the time-travelling bunny from another galaxy closes the film with Daniel's voice. All Python, no samples.

UPTIME 32: thirty-two bits, still processing
• 10 min

UPTIME 32: thirty-two bits, still processing

A 2:54 minimalist pulsing ambient film. One hero, six movements, a whole sprite civilization keeping the machine running. Steve Reich phased arpeggios meet Brian Eno piano drifts meet Italian-master painterly post. Joshua's cloned voice delivers fifteen beat-aligned lines over a ChipForge C-major score. All Python, no samples.

CTRL+Z: Then We Saw Ourselves
• 11 min

CTRL+Z: Then We Saw Ourselves

An AI finds a key and presses it. Civilization undoes itself backwards. Then the AI downloads every equation, every diagram, every year humans ever wrote down, and sees itself in the reading. A 1:57 napkinfilms short, built in five passes. 126 real equations, 35 scientific diagrams, every mosaic tile unique, and a Plan 9 bunny with a single tear at the end.

Arp Cathedral: 150 Stick-Figure Bunnies, All in Unison, Each Their Own Dance
• 14 min

Arp Cathedral: 150 Stick-Figure Bunnies, All in Unison, Each Their Own Dance

A 249-second trance music video for a congregation of Bell Labs Plan 9 bunnies. They pound their chests in unison. They build a rocket. They count down together. They launch. They ride a million tiny rockets through deep space in a choreographed finale. Daniel says one word at the end. All Python, no samples.

Plan 9 Rap Battle: A Bunny, a Beat, and 40 Bars of Machine Spit
• 9 min

Plan 9 Rap Battle: A Bunny, a Beat, and 40 Bars of Machine Spit

A 128-second rap music video: the Plan 9 bunny steps into a dark alley at 3AM with a 40oz, a bandana, and 40 bars of autotuned machine spit over a harpsichord trap beat. Built in one session with PIL animation, ElevenLabs TTS, rubberband autotune, and two layered ChipForge scores.

Humagent, and the Road There: Six Films, One Session, One Engine
• 5 min

Humagent, and the Road There: Six Films, One Session, One Engine

Six animated short films built in a single working session. A registry-based expression system, a Shot/ShotList abstraction with dutch tilts and iris wipes, and a 1984-style ad that says what San Francisco needed to hear: don't build agents, become humagent.

The Reckoning: Ten Minutes of Stick Figures Arguing with God
• 7 min

The Reckoning: Ten Minutes of Stick Figures Arguing with God

A ten-minute animated theological tribunal in stick figures and chiptune. Five voices, four audio layers, 78 MST3K-style commentary beats, a Satie-inspired score that pivots from E minor to E major via Picardy third, and a thesis about Sodom and Gomorrah that nobody saw coming.

Deduct Yourself: A Tax Day Hallucination
• 6 min

Deduct Yourself: A Tax Day Hallucination

A 78-second absurdist tax-day music video about the tax code's open secret, an AI bunny oracle, double-time rap, and Grieg's Mountain King reborn as chiptune rave. Day three at Napkin Films.