Projects 3 min read

FAULT IN THE CODE: a study of Gasoline where the glitch is the glory

A Plan-9-flavored study of Halsey's "Gasoline." OG Bobby Johnson spits, the cyborg bunny Plan 9 answers in tune, and a deep Alpine philosopher says the quiet part out loud: the bug is the feature.

FAULT IN THE CODE: a study of Gasoline where the glitch is the glory

Watch on YouTube: FAULT IN THE CODE. Licensed CC BY 4.0.

Halsey sings "I think there's a fault in my code." It is the cleanest line ever written about feeling manufactured. A self framed as a programming error. Then the song turns that into defiance.

I wanted to answer it from inside the machine. So I built a Plan 9 film around the same idea, and I let the bug be the feature.

The thesis

The world keeps telling you that you were made wrong. Off the line with a crack in it. Stamped defective. Plan 9 is the patron saint of that feeling. The worst movie ever made, beloved exactly because it is flawed. The glorious B-movie defiance.

So the lyric and the music share one idea. The bed is industrial-electropop in B flat minor, one chord cell that never resolves, built so the engine's own glitches become the sound. The grit is the craft, not the accident. The glitch is the glory.

A proper duo

OG Bobby Johnson carries the verses. Low, fast, slick, more gangsta than philosopher. He came off the line cracked and he made the defect a flex.

Plan 9, the cyborg bunny, is the counterweight. A higher voice answering in the gaps of the hook. Call and response. There's a fault in my code. A fault in the code. Never gonna patch it. Never patch it, no. The choruses build each time, more melodic, more swing.

And underneath, Der Gouverneur. A deep Alpine philosopher voice who only says the quiet part. Der Fehler ist das Wunder. The fault is the miracle. The bug is the feature.

How it was tuned without losing the voice

The hard part was keeping it human. Recorded-style takes, beat-locked to the grid so the spit sits in the pocket, time-stretched without sounding sped up, and pitch-corrected with the formants preserved so each voice still sounds like itself. Tuned, but theirs. The whole vocal pipeline runs offline in ChipForge, the numpy synthesizer that also wrote the bed.

The picture

Two stick-figure performers in a neon machine-room. The camera cuts to whoever is singing and pulls back to a two-shot when they trade, raining code and chromatic-aberration grit the whole way. The film wears the fault on purpose.

The goodbye

At the end, Plan 9 signs off tongue in cheek and thanks Halsey for the spark. Then he says goodbye in Lenape, the language of the people who walked her home ground in central New Jersey first. Lapich knewel. The Lenape have no literal word for goodbye. It means "I will see you again."

Made on a laptop

No GPU. No subscriptions. Animation in Python and PIL, audio in ChipForge, voices through ElevenLabs, glued together with FFmpeg.

License

Film: CC BY 4.0. Remix it, repost it, drop it into your own thing. Credit "Napkin Films / Organic Arts LLC" and link CC BY 4.0. Engine code (Napkin Films, ChipForge) is GPL-3.0-or-later. ElevenLabs voice audio is licensed content and is not redistributed.

Halsey's "Gasoline" was studied for structure and spectral analysis only. No audio was sampled and no melody was quoted. This is an original work inspired by it.