Projects 3 min read

EGO IS AN INCH: a beat-locked Alan Watts rap on the self you can never grab

EGO IS AN INCH is Song 07 in Out of Your Mind, the Napkin Films series built from the Alan Watts lectures. It is the one about the ego: an abstraction like an inch or a line of longitude, useful for measuring and impossible to pick up, because the thing reaching is the thing reached for. A Bavarian governor voice raps it over Mussorgsky's grotesque Gnomus reborn as Eb-minor EDM, while a Plan 9 bunny, recast as the inch itself, taunts from just out of reach. CC BY 4.0.

EGO IS AN INCH: a beat-locked Alan Watts rap on the self you can never grab

Try to grab it. It vanishes.

EGO IS AN INCH is Song 07 in Out of Your Mind, the Napkin Films series built
from the Alan Watts lectures. This is the one about the ego. Watts liked to say the
ego is an abstraction, like an inch, or a line of longitude. Useful for measuring,
but you cannot pick it up and put it in a box. Reach for it and your hand closes on
nothing, because the thing doing the reaching is the very thing it is reaching for.
The eye cannot see itself seeing. The hand cannot grab the hand that grabs. So the
self you keep trying to hold turns out to be a ruler's tick, a convention, a
measurement mistaken for a thing. Stop grabbing and there is just the grabbing, just
the looking, just this.

Why the music IS the idea

The theme is the self that disappears the instant you clutch at it, so the sound had
to be the grab-and-miss made audible. I reached for Mussorgsky's Gnomus, the
lurching gnome from Pictures at an Exhibition, and recomposed it into Eb-minor
grotesque EDM with ChipForge, my own no-GPU, no-samples music engine. It is jagged
and comic, because the ego grabbing at itself is a little grotesque and a little
funny. A Neapolitan E major keeps diverting every cadence, so the music itself is
always reaching and never quite landing.

The bespoke device carries the whole concept. It is the vanishing inch: a
staccato grab figure that loses a note every bar across each four-bar phrase, so by
the fourth grab it catches almost nothing, and a celeste pop marks each note as it
winks out. Above it a harpsichord grabs one bar too late, echoing the figure that
already passed, the hand that grabs unable to grab the hand grabbing. Nobody has to
explain the idea. The arrangement enacts it.

Voices and picture

Der Gouverneur, a Bavarian philosopher governor voice, raps it in English and
German, every line stretched to a whole number of beats so it locks to the grid. The
Plan 9 Glenda bunny, the on-screen character, is recast here as the inch itself,
taunting from out of reach: missed again, whiff, gone, that's you. A German grab
motif runs underneath, wer schaut, ohne Griff, ohne Greifer: who is looking, no
grip, no grabber.

The picture is stick-figure simple, a vanishing gold inch the bunny keeps swiping at
and missing, a ruler of ticks, longitude arcs, an empty dotted outline where the
self should be. The climax is the only one in the series that goes down rather than
up: a red mirror-collapse, the lagged ghost-bunnies folding into one that still
catches nothing, the punchline landing.

Made on a laptop

Stick-figure simple in Python and PIL, a beat-locked spit-rap, a second character
voice, a ChipForge Mussorgsky recomposition, real drums and bass. Generated locally.
No GPU, no subscriptions, no stock footage. Written, directed, composed, animated,
voiced, and produced by Joshua Ayson with AI, for Organic Arts LLC.

Watch it here: https://youtu.be/syRBFyepPiY

Licensed CC BY 4.0. The music is an original ChipForge arrangement inspired by the
public domain works of Modest Mussorgsky; the source was studied for structure only,
nothing was sampled. The words are adapted and compressed from Alan Watts, Out of
Your Mind.