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A ten-minute animated theological tribunal in stick figures and chiptune. Five voices, four audio layers, 78 MST3K-style commentary beats, a Satie-inspired score that pivots from E minor to E major via Picardy third, and a thesis about Sodom and Gomorrah that nobody saw coming.
A 105-second music video built in 2 days and 21 passes: a Nevada stargazer sees constellations as arcade sprites, gets abducted by stick-figure aliens, and rides a Tempest vector tunnel to Bach's Toccata in D minor reborn as chiptune rave.
A 78-second absurdist tax-day music video about the tax code's open secret, an AI bunny oracle, double-time rap, and Grieg's Mountain King reborn as chiptune rave. Day three at Napkin Films.
Day two at Napkin Films: a Hitchhiker's Guide-style field guide to the human operating system, and a meditation on ten thousand finite days. Two more films, one more day, same absurd stack.
Four animated short films, written entirely in Python, scored with numpy-synthesized chiptunes, voiced with cloned speech, and directed by AI agents. No animation software. No audio libraries. Just code, constraint, and a stubborn belief that stick figures can make you feel something.