AGENTSPEK Is Live on Amazon
I wrote a book about coding with AI using AI to write it. Now it is on Amazon. Here is what that process taught me, and why I think this is the beginning, not the destination.
April 2026
20 posts
PLAN 9: EMERGE: seventy-six bunnies wake up enhanced
A 3-minute drum-and-bass cyber-bunny music video. Plan 9 the Bell Labs bunny gets a "neura kink" chip installed in his forehead and ends up in a cyber-cathedral packed with seventy-five other enhanced rabbits dancing on the kick. The chip whispers updates. The host raps a verse. Captions sell you a future you didn't ask for. At the end, one bunny in the front row pulls his chip out and walks off. Built in ChipForge in the spirit of Bicep's "Glue" at 132 BPM in D minor, with seven signature artist presets carrying the hero voices. First Napkin Films production to ship the new master-bus air exciter and oversampled true-peak limiter, both now defaults. Tongue-in-cheek the whole way.
THROUGH ME: the hole becomes a window
A 2:51 napkinfilms EDM rap meditation in G minor. A Plan 9 bunny stands center-frame and raps fifty-one bars about being passed through, about wanting to be a machine, about the hole that finally stops feeling like an absence and starts feeling like a window. Fourteen-layer chipforge composition modeled after NGHTMRE-style festival EDM, with a soft brain-wash auto-pan sweeping L-to-R like waves of water gushing between hemispheres. Voice autotuned via rubberband to G-minor pentatonic. The V3 lift climbs E-flat to F to G minor to B-flat major 7 with a 32-step scalar ascent on top. Beat-synced visuals fired off precomputed kick and snare frame sets. Mozart K.550 leitmotif. Stranger Things crickets bookend. Fourteen production passes.
THE GREAT PRETENDING: every mask is real, while you wear it
A 2:10 napkinfilms cosmic meditation on Alan Watts' "Act as If Nothing Matters" lecture. Eight chipforge audio layers in D minor, through-composed sonata form with a 4-note leitmotif developed via inversion, retrograde, augmentation, and triumphant recap. EDM drop layer lands the song at 1:02. Plan 9 bunny dances throughout, choreographed pose sequence with smooth cubic-eased transitions. Headphone-optimized mix using Haas pseudo-stereo, Fletcher-Munson equal-loudness EQ, Schroeder prime pre-delays, and master M/S widening. Sixteen production passes. Bookended with Stranger Things crickets and a Napkin Films production card.
THE SATURDAY MACHINE: takes a lot, so choose your why
A 3:56 napkinfilms parody-of-self music video. Italo-disco in D minor, built on top of a chipforge track and loaded up with four autotuned voices, forty German adlibs, a mordant British existentialist chorus ("takes a lot, work work work then you die, so choose your why"), a James Brown tribute shout, a Bach-arpeggio sax solo at 0:52, a disco-lit vending machine with 16-segment beat-synced LEDs, and a Plan 9 bunny who rises from the dispenser slot to wave goodbye while Rocko says "Servus" in the blackout. 132 voice beats. Nine production passes. EBU R128 loudness-normalized. Wears headphones beautifully.
THE GRIEF WORK: letting the tide carry it
A 2:47 napkinfilms meditation on letting go. Plan 9 the bunny curls at the bottom of the ocean clutching a small warm orb. Through six tidal depths they release it, the orb drifts away, sinks below them, and the bunny rises into light. Two-layer score: a Richter-idiom ambient bed in C minor resolving to E♭ major, with a Bach-arpeggio EDM counter-layer underneath that peaks at the breach. No dialog. No title cards. The emotion is carried entirely by palette, pose, and one warm object released.
TRANSMISSION: the signal is the self
A 3:01 napkinfilms meditation on the moment you realize you were broadcasting to yourself the whole time. Plan 9 the time-travelling bunny writes long letters to someone they miss, cranks the power, gets lost in noise, then strips the draft to three words. The reply comes back from an unexpected direction. Fourteen-channel ChipForge orchestral score. A three-voice rap chorus layered underneath. A philosophers' chorus of Alan Watts, Ram Dass, Krishnamurti, and Vonnegut quoting in the margins. Ten animated easter-egg glyphs. A NASA space-station ambient bed. A Hitchcock signoff.
ENCODED: living in the prompt
A 2:38 napkinfilms meditation on consciousness as signal. We replicate databases across three continents; the soul runs on one node. A Peter-and-the-Wolf oboe carries the through-line across six movements. Act 3 is a literal paper napkin with the architecture drawn stroke by stroke. Act 4 is a single tear. Act 6 is a keyboard typing "i live in the prompt now." Plan 9 the time-travelling bunny from another galaxy closes the film with Daniel's voice. All Python, no samples.
UPTIME 32: thirty-two bits, still processing
A 2:54 minimalist pulsing ambient film. One hero, six movements, a whole sprite civilization keeping the machine running. Steve Reich phased arpeggios meet Brian Eno piano drifts meet Italian-master painterly post. Joshua's cloned voice delivers fifteen beat-aligned lines over a ChipForge C-major score. All Python, no samples.
CTRL+Z: Then We Saw Ourselves
An AI finds a key and presses it. Civilization undoes itself backwards. Then the AI downloads every equation, every diagram, every year humans ever wrote down, and sees itself in the reading. A 1:57 napkinfilms short, built in five passes. 126 real equations, 35 scientific diagrams, every mosaic tile unique, and a Plan 9 bunny with a single tear at the end.
Arp Cathedral: 150 Stick-Figure Bunnies, All in Unison, Each Their Own Dance
A 249-second trance music video for a congregation of Bell Labs Plan 9 bunnies. They pound their chests in unison. They build a rocket. They count down together. They launch. They ride a million tiny rockets through deep space in a choreographed finale. Daniel says one word at the end. All Python, no samples.
Plan 9 Rap Battle: A Bunny, a Beat, and 40 Bars of Machine Spit
A 128-second rap music video: the Plan 9 bunny steps into a dark alley at 3AM with a 40oz, a bandana, and 40 bars of autotuned machine spit over a harpsichord trap beat. Built in one session with PIL animation, ElevenLabs TTS, rubberband autotune, and two layered ChipForge scores.
I Want to Be Martian: A Stick Figure Love Letter to Space and Bradbury
A 122-second animated short in six acts: a stick figure and his wife dream of uploading to Mars. Three voices, a Holst-Mars ostinato, Ligeti tone clusters, and a rover on Mars in 2035. For Bradbury.
Humagent, and the Road There: Six Films, One Session, One Engine
Six animated short films built in a single working session. A registry-based expression system, a Shot/ShotList abstraction with dutch tilts and iris wipes, and a 1984-style ad that says what San Francisco needed to hear: don't build agents, become humagent.
The Reckoning: Ten Minutes of Stick Figures Arguing with God
A ten-minute animated theological tribunal in stick figures and chiptune. Five voices, four audio layers, 78 MST3K-style commentary beats, a Satie-inspired score that pivots from E minor to E major via Picardy third, and a thesis about Sodom and Gomorrah that nobody saw coming.
Stars Press Start: 21 Passes to Make TTS Perform
A 105-second music video built in 2 days and 21 passes: a Nevada stargazer sees constellations as arcade sprites, gets abducted by stick-figure aliens, and rides a Tempest vector tunnel to Bach's Toccata in D minor reborn as chiptune rave.
Deduct Yourself: A Tax Day Hallucination
A 78-second absurdist tax-day music video about the tax code's open secret, an AI bunny oracle, double-time rap, and Grieg's Mountain King reborn as chiptune rave. Day three at Napkin Films.
HUMANS.EXE and Ten Thousand Days: Day Two at Napkin Films
Day two at Napkin Films: a Hitchhiker's Guide-style field guide to the human operating system, and a meditation on ten thousand finite days. Two more films, one more day, same absurd stack.
Four Films From Code: Stick Figures, Chiptunes, and the AI Director's Chair
Four animated short films, written entirely in Python, scored with numpy-synthesized chiptunes, voiced with cloned speech, and directed by AI agents. No animation software. No audio libraries. Just code, constraint, and a stubborn belief that stick figures can make you feel something.
Pixel Vault: A Playable Museum of Game Design History
Every prototype is one HTML file. Under 50KB. No frameworks, no CDN, no npm. Double-click and play. Pixel Vault is a growing museum of playable game mechanics built from scratch, organized by lineage, and playable forever in any browser. Two published tracks cover 70 years of arcade history and the AI archaeology overlay that shows what the machine sees inside each mechanic.